This psychedelic thing called the opera

During my studies, one professor always expressed his admiration for the opera. When he did, I always pictured the cliché: a grand lady in a red dress, endlessly singing something in Italian.

I was wrong.

Thanks to the welcoming people at the Dutch National Opera I have now seen three operas in the last couple of years. They where all, well.., pretty psychedelic.

Yesterday, when I visited Gurre Lieder, I saw a giant fish floating over the stage, while a futuristic jester walked around with a giant white balloon, a tormented king lied for dead on the ground and hundreds of soldiers paraded with their dead horses. Meanwhile, this all took place in a decor which reminded me both of an apocalyptic wasteland and of a palace.

I could easily describe the other two operas I’ve seen in the same way (Einstein on the Beach and Faust), but at the same time I realize my focus on the psychedelic is also a beginner’s trait. I hope, after enough training, I will also come to appreciate the music and singing more.

 

Lees net als 30.000 anderen maandelijks mee

Ontvang elke maand een dosis inspiratie over boeken, schrijven, cultuur, creativiteit en focus, samengesteld door de mede-oprichter van De Correspondent en auteur van Intentioneel Leven.